“Honey Pie” is about as corny as it gets, and considering we’re talking about Paul McCartney here, that’s saying a lot. I completely understand why so many people blast his affinity for writing silly love songs (sometimes self-deprecatingly), but count me in the camp that finds them Continue reading “#169: Honey Pie”
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#170: Yes It Is
If I weren’t such a sucker for harmonies, this boring funeral march would likely land in the bottom ten. Yes it would. John Lennon apparently asked himself, “Hey, remember that great b-side I wrote a few years ago, ‘This Boy’? What if I wrote that song again, but made it terrible this time?” Then he probably Continue reading “#170: Yes It Is”
#171: All You Need is Love
“All You Need is Love” is easily one of the Beatles’ most iconic songs, and it perfectly captures the flower power spirit of 1967, but as a composition, it’s not really the most exciting piece in their catalog. Sure, you have the cool little “She Loves You” throwback, and you can’t deny that orchestra, but Continue reading “#171: All You Need is Love”
#172: Mother Nature’s Son
I’m just gonna come right out and drop a hot take: Paul McCartney is pretty darn good at music. Put down the pitchforks and I can explain. Well, first off, have you heard Continue reading “#172: Mother Nature’s Son”
#173: Lovely Rita
If I had to describe “Lovely Rita” in one word it would be…”busy.” There’s a lot going on here, and it all falls short of the sum of its parts. There’s a quirky kazoo sound that pops up a few times; a jaunty piano line; and John Lennon’s repetitive, borderline extraterrestrial “Lovely Rita, meter maid” backing vocals. But all of those elements aren’t enough to distract from the reality that this is kind of a novelty song, the story of a man attempting to woo a public servant. Well, I guess in fairness, that makes it sound a lot more boring than it actually is. You can probably Continue reading “#173: Lovely Rita”
#174: Kansas City/Hey Hey Hey Hey!
After the all-original A Hard Day’s Night, the Beatles had to resort to filling their follow-up LP with old-school covers, and frankly, they did a crappy job selecting them for the most part. This is the fifth of six of them to show up on the countdown, and we’re still in the bottom 50. (In fairness to Beatles for Sale, Continue reading “#174: Kansas City/Hey Hey Hey Hey!”
#175: You Can’t Do That
Much like with “Sgt. Pepper’s Lonely Hearts Club Band,” my reason for ranking “You Can’t Do That” so low is a bit unfair. Simply put, it reminds me too much of a similar and superior song released that same year. Had “Magical Mystery Tour” and “I Call Your Name” gone unrecorded, “Sgt. Pepper” and “You Can’t Do That” would almost definitely be a lot higher. But this list is about my favorite Beatles songs, not like those purportedly objective “best” lists, since that’s been done to death, and my list is objectively better than any of those.
You know it’s true, editors of Rolling Stone.
“You Can’t Do That” does have one edge over “I Call Your Name” though, and that is Continue reading “#175: You Can’t Do That”
#176: Sgt. Pepper’s Lonely Hearts Club Band (Reprise)
You may be wondering why I’m ranking the 81-second reprise of Sgt. Pepper’s Lonely Hearts Club Band‘s title track over the original version that oh-so-thematically kicks off the album. “Anthony, quit being so contrarian.” “Anthony, give it a rest with trying to subtly undermine Sgt. Pepper.” “Anthony, stop having hypothetical conversations with yourself on your weird Beatles blog. We’re worried about you. You haven’t eaten in days. You started saving your fingernail clippings in a jar because you said Continue reading “#176: Sgt. Pepper’s Lonely Hearts Club Band (Reprise)”
#177: Money (That’s What I Want)
“No, we need money first.”
This was John Lennon’s response when asked at the Beatles’ first American press conference if the group would sing for the fans and reporters populating the newly-christened John F. Kennedy International Airport on February 7, 1964. For the band’s cynical critics, it provided simultaneous ammunition and disarmament; an audacious yet charming change of pace from the safe, controlled pop star persona of the day. (Elvis may have been electric on stage, but he made for a pretty boring interviewee.) It’s debatable the extent to which John was joking, but Continue reading “#177: Money (That’s What I Want)”
#178: Dig a Pony
It’s the rawest moment on the rawest Beatles album: Ringo Starr yelling “Hold it!” to halt his bandmates from playing before he blows his nose. Why producer Phil Spector saw fit to include this false start on the Let it Be album is a mystery, but maybe we’re all just better off not speculating on why Phil Spector does the things he does.
Hey Phil, next time you murder somebody, maybe start with your barber.
“Dig a Pony” is another in the long line of songs John Lennon wrote only to later deem a “piece of garbage,” and while I wouldn’t go that far, he clearly Continue reading “#178: Dig a Pony”
Anthony Cusumano 