When pressed to name my top five Beatles albums, the list is fairly standard, minus the absence of the overrated Sgt. Pepper’s Lonely Hearts Club Band. At the top is the White Album, perhaps for sheer volume more than pound-for-pound quality. The next three, in order, are Abbey Road, Revolver, and Rubber Soul. These four constitute perhaps the band’s most experimental, risk-taking works, so naturally rounding out the top five is A Hard Day’s Night, in all its “if Beatlemania ain’t broke, don’t fix it” glory.
For their third album, the Beatles were in no mood to rewrite the rulebook that had led to such incredible international success. But in between the release of predecessor With the Beatles and recording its follow-up, something happened: Continue reading “#78: Any Time at All”
Is this the world’s first emo song? Add in some Cookie Monster screams and apply a bit of black eyeliner to John Lennon and “I Don’t Want to Spoil the Party” becomes the greatest prom anthem of the early 2010s. Well, I guess you may need to de-twang it about 75% first, but the point stands.
Recently, I sang the praises of the unheralded Beatles for Sale album, and a large part of why I love it so much is Continue reading “#80: I Don’t Want to Spoil the Party”
America fell in love with the Beatles via the purest of requests in December 1963: “I Want to Hold Your Hand.” But just six months later, they made it clear that that was no longer enough to satisfy their insatiable lust.
“I don’t want to kiss or hold your hand,” George Harrison plainly stated as parents undoubtedly rushed to Continue reading “#83: I’m Happy Just to Dance with You”
It’s funny; for an album as historically dismissed as Beatles for Sale, I haven’t written about any of its tracks in quite some time. It’s been over two years and 89 songs in fact, when “Kansas City/Hey Hey Hey Hey!” popped up at #174. Only four of the album’s 14 songs ranked lower, all of them covers, incidentally enough. That means that Beatles for Sale makes up an impressive 10% of the top 90 songs, a feat topped only by The White Album (which contains more than twice as many songs).
That “I’m a Loser” is the album’s lowest-ranking original is actually a testament to how Continue reading “#85: I’m a Loser”
Let’s just get out of the way the single biggest reason why I can’t in good conscience rank this song any higher: Continue reading “#108: I Feel Fine”
Not bad. I can see why it was a single. #124.
Stuck the landing.
The year is 1956, and your pre-teen child won’t shut up about this newfangled rock ‘n’ roll fad. “Bah, music hasn’t been any good since Glenn Miller mysteriously disappeared 12 years ago,” you tell him as you wipe the ketchup off your chin from an equally newfangled McDonald’s hamburger. Nonetheless, in a desperate attempt to be seen as the ‘cool parent,’ you decide to treat your child to some of this noisy garbage. You inspect the record store shelves and find Continue reading “#126: Long Tall Sally”
Man, this track was such a surprise to me when I first heard it for so many reasons. It was the closing song on the Beatles’ third album, and given that the first two concluded with “Twist and Shout” and “Money,” I was all set for another intense rocker to wrap up A Hard Day’s Night.
That is not this song.
Also, like every person on the planet since 1984, I Continue reading “#146: I’ll Be Back”
Lennon and McCartney, you have some explaining to do. Continue reading “#153: And I Love Her”
Nothing can ruin a good song faster than bad lyrics. That’s a fact. For all the claims that it’s all about the music, or that a certain vocalist could sing the phone book and it would still be compelling, one lame lyric will Continue reading “#157: She’s a Woman”