#119: Magical Mystery Tour

1967 was inevitably going to be a make-or-break year for the Beatles. In fact, before they released the outstanding “Strawberry Fields Forever”/”Penny Lane” single, everything seemed to be stacked against them. Their decision to quit touring in August of 1966 was a risky move, especially because that fall they didn’t release a new single (let alone a new album) for the first time in their career. On top of that, Continue reading “#119: Magical Mystery Tour”

#119: Magical Mystery Tour

#120: With a Little Help From My Friends

  • Paul McCartney kicking him out after he asked Paul to delay the release of his first solo album so it wouldn’t compete with Let it Be
  • George Harrison professing his love for Maureen Starkey and proceeding to have an affair with her
  • John and Paul having him open a song with the query, “What would you think if I sang out of tune?”

These may be the three cruelest things Ringo Starr’s bandmates did to him, in ascending order. Of course, the drummer took it all like a champ, and he eventually Continue reading “#120: With a Little Help From My Friends”

#120: With a Little Help From My Friends

#121: Girl

Is there anybody going to listen to my thoughts about the song “Girl”? Ah, “Girl.” (deep sigh)

Armed with melancholy harmonies and alluring, wistful guitar strums, it’s easy to get sucked into this cynical, matter-of-fact ballad. It was one of the earliest Beatles songs I became familiar with, thanks to its appearance on the 1962-66 compilation, which boasted a whopping six of 14 Rubber Soul cuts. Even though I’m ranking this above “Drive My Car,” I feel like “Girl” is probably the least essential inclusion of the bunch. It’s a great song, but thematically it feels similar to “Norwegian Wood” and musically shares some DNA with “Michelle.”

Of course, “Girl” does boast one distinct feature Continue reading “#121: Girl”

#121: Girl

#123: PS I Love You

This is such an absolutely corny, sappy song but I love it. It’s the sort of music that was hugely popular before the Beatles hit it big, so maybe it felt like a safe selection as the b-side for their first single. Either way, it’s far better than the a-side (“Love Me Do”) and is too charming to ignore. Inconsequential in the long run, maybe, but look, not every Beatles song was gonna change the world.

This is another one of those songs that exceeds the sum of its parts, with a checklist of endearing moments in its pros column. Its brisk opening. The simple percussion, which was actually provided by a session musician (having been deemed inadequate at the band’s EMI audition, Ringo was relegated to shaking a pair of maracas). The neat interjections when the “As I write this letter…” section is repeated from John (“ohhh!”), Paul (“you know I want you to”), and George (“yeah”)–incidentally, it wasn’t until I began doing this write-up that I realized Continue reading “#123: PS I Love You”

#123: PS I Love You

#125: Don’t Let Me Down

As I browsed my completely and unarguably definitive ranking of Beatles songs, I have to say I did a double-take when I saw “Don’t Let Me Down” positioned at #125. Like, what’s there not to love? John and Paul give it their all vocally, with some great late-period harmonies; Ringo is practically attacking the drums; and George’s sultry guitar intro sets the stage perfectly for this carnal bluesy ballad. Top that all off with the smooth keyboard stylings of Billy Preston, and it seems like a ridiculously low placement.

Alas, when I listened back I realized the part that throws it off for me. It’s the Continue reading “#125: Don’t Let Me Down”

#125: Don’t Let Me Down

#126: Long Tall Sally

The year is 1956, and your pre-teen child won’t shut up about this newfangled rock ‘n’ roll fad. “Bah, music hasn’t been any good since Glenn Miller mysteriously disappeared 12 years ago,” you tell him as you wipe the ketchup off your chin from an equally newfangled McDonald’s hamburger. Nonetheless, in a desperate attempt to be seen as the ‘cool parent,’ you decide to treat your child to some of this noisy garbage. You inspect the record store shelves and find Continue reading “#126: Long Tall Sally”

#126: Long Tall Sally

#127: Taxman

Money can’t buy me love, and fun is the one thing that money can’t buy, but still, nobody wants to give away 95% of their income to the government. But that was the situation for the Beatles in the mid-1960s thanks to Britain’s progressive tax laws, and George Harrison was none too pleased. “You are so happy that you’ve finally started earning money, and then you find out about tax,” he said. One would hope that he was familiar with the concept of taxation before the age of 23, but the point stands.

I can only imagine what listeners must have thought when Continue reading “#127: Taxman”

#127: Taxman

#128: Good Day Sunshine

It’s impossible not to smile when you hear “Good Day Sunshine.” This simple, happy-go-lucky song is probably the least interesting component of Revolver, an album that saw the Beatles tackle new sounds that no mainstream band had ever attempted before. “Good Day Sunshine,” meanwhile, sounds like it could have come out of a 1920s vaudeville show. That’s not a criticism, mind you, and I still rank it over four other songs from that record. But it’s never registered with me as anything more than an enjoyable yet totally lightweight recording.

newton.jpg
Then again, Isaac Newton’s discovery of gravity was also considered lightweight. Ah, a science pun! Pip pip ho ho ho!

 

I think one of the issues is that Continue reading “#128: Good Day Sunshine”

#128: Good Day Sunshine