Just like Ringo’s, George Harrison’s vocal spotlight on the Beatles for Sale album was an underwhelming Carl Perkins cover. This one at least feels slightly less lazy, and needless to say, the vocal is a lot stronger (sorry Ringo), but there’s still a sense of going through the motions. My favorite part of it is the fake-out ending, a technique I always love in songs.

The only thing I like more than fake endings? Happy Endings. Bring it back, Netflix!

 

And of course, this brings to a close the great Carl Perkins vs. Larry Williams war of 2016, with Larry Williams coming out on top as his “Bad Boy” is still in the running. It’s been real, Carl.