The slaughter of Please Please Me covers continues. In order to properly describe “Chains,” the only thing I could really think to do was head to thesaurus.com and decide on my favorite synonym for “pleasant.” I am settling on “congenial.” Also, did you know that “bland” is synonymous with “pleasant”? I mean, I get it but I’ve never really thought of those words as amiable.
“Sha-la-la-la-la-la-la” may not be the most profound lyric of all time, but it can make for a heck of a hook. It’s safe to say that “Baby It’s You” does not suffer for lack of being catchy by any stretch, which is hardly a surprise considering it was composed by Burt Bacharach. Unfortunately, I’ve yet to come across a version Continue reading “#206: Baby It’s You”
It’s gone down as one of the most laughable blunders ever made by a record label: on January 1, 1962, the Beatles auditioned for Decca Records and were turned down, purportedly because “guitar groups are on the way out.” But the truth is, if you listen to those recordings, it’s not the Beatles you know and love. For one thing, Ringo had yet to join, with drum duties handled by inaccurately-last-named Pete Best.
Pete Passable-For-The-Time-Being didn’t fit on a marquee.
The 15 songs they recorded that day were selected by manager Brian Epstein and did little to showcase the group members’ personalities, which were just as critical a component of their early success–if not more so–than their musical ability. And that doesn’t even account for Continue reading “#207: Anna (Go to Him)”
While I’m definitely a rock fan at heart, you’ll see as the list goes on that I also have an affinity for Paul McCartney in balladeer mode. It’s something he’s excelled at in every stage of his career, but “A Taste of Honey” was not the most auspicious beginning. When you listen to the Beatles’ debut album Please Please Me, there are some immediate, unmissable signals that there’s Continue reading “#212: A Taste of Honey”