The Archies, though, continue to mystify us all.
When the inevitable 50th anniversary Let it Be box set is released later this year, there’s one outtake you can safely bet will be omitted. See, it took several attempts before “Get Back” evolved into its final form, and along the way it took…well, let’s go ahead and call it a detour before Paul McCartney becomes a victim of cancel culture.
In the version we all know and love enough to rank at #88, the chorus “Get back to where you once belonged” implies a return to one’s roots–in fact, that was even part of the song’s marketing campaign, suggesting that the Beatles had recorded a “pure spring-time rock number” that was “as live as live can be.” But in an earlier draft, it carried a far more sinister message with Continue reading “#88: Get Back”
Some people will forever be defined by a single mistake or a case of bad timing. Michael Cimino won a Best Director Oscar for his acclaimed second film, The Deer Hunter in 1978. His next movie, Heaven’s Gate, went down as a creative disaster and one of the biggest box office flops of all time, and studios decided to no longer risk playing Russian roulette with him. Howard Dean’s 2004 presidential campaign has been reduced in our collective mind to “the Dean scream,” in which the flu-stricken candidate briefly channeled Axl Rose while rallying supporters after the Iowa caucus.
Much like Dean, an unfortunately-timed sickness ensured that George Harrison would Continue reading “#89: Do You Want to Know a Secret”
I got a lot of flack for my low ranking of “Yesterday” on this list, and I’m not gonna lie, I had second thoughts. To say I quivered in my boots and experienced heart tremors would be an understatement. The feedback made me sweat more than Papa John after eating 40 pizzas in 30 days. Much like Papa John, I’ll backtrack a little bit and say that, if I were to do this list again, I would certainly reconsider and probably put “Yesterday” a lot higher.
All that to say, “A Day in the Life” is probably just as heralded as “Yesterday,” if not more so–it often tops Beatles song rankings–but this is one I’m going to stand behind. Objectively it is Continue reading “#90: A Day in the Life”
With two rather selfish and demanding singles under their belt (“Love ME Do”! “Please Please ME“!), the Beatles finally found themselves in a giving mood for their third A-side. I always felt like “From Me to You” sort of flies under the radar, at least from the perspective of a 21st century American Beatles fan. You never hear it on the radio and it doesn’t attract the same appreciation as their other early singles, even though it’s just as catchy and enjoyable, and I never understood why until I started doing research for this write-up. Yes, I do research for these. I fact-check everything. Why is that so hard to believe?
Anyway, “From Me to You” was released just after President Richard Nixon was impeached for Continue reading “#91: From Me to You”
My mother and sister exposed me to a lot of Broadway musical soundtracks growing up, mostly against my will. Few of them stood out to me, and really, I resented the fact that they took up valuable stereo time that rightfully belonged to “Weird Al” Yankovic.
Society often feels obligated to turn its nose up to entertainment aimed at children. People are consistently amazed by the way Pixar produces films that appeal to young and old alike, as though it’s an impossible feat. And yes, there are plenty of shows and movies developed by hacks and cynics that insult the intelligence of audiences of all ages by assuming that the only way to appeal to kids (and get their parents to open their wallets) is through loud, colorful, repetitive, and downright annoying content totally void of substance.
But look at the recent burst of Mr. Rogers nostalgia and appreciation, or how Sesame Street has brought on guests that kids probably don’t recognize without sacrificing the show’s core values (exhibit A: “Furry Happy Monsters”). A sense of sincerity is all it takes to Continue reading “#93: All Together Now”